My work is rooted in abstract and alternative thinking, with a particular focus on fashion, music, and contemporary culture. I gravitate toward degraded, high-contrast visual language. Halftone textures, glitch artifacts, layered typography, and saturated color washes that push found imagery and branding into something rawer and distorted. I'm interested in the tension between clarity and decay, treating legibility as something to be pushed to its edge rather than always preserved.

I have extensive experience contributing to print design for independent magazines, brands and contemporary events in New York City. These publications often explore unconventional or culturally challenging themes, an approach I'm drawn to for its ability to provoke emotion.